Choose Your Currency:
Choose Your Currency:
Conditions Explained:
It is important to remember that you are buying an original vintage fine art poster an not a reproduction of any kind. We do not use terms like “mint” or “near mint” condition, as they are highly subjective. Each of our pieces is photographed in high quality so you can zoom in and view the poster in greater detail. In addition we use the following IVPDA (International Vintage Poster Dealers Association) approved condition rating system:
"A" Condition: the poster is in fine condition. The colours are fresh and there is no paper loss. If there is a slight tear, or folds, it is very unobtrusive.
"B" Condition: the poster is in good condition. The colours are acceptable. While slight paper loss maybe evident, it does not distract from the image. Restoration, if any, is not immediately apparent.
"C" Condition: the poster is in fair condition. Colours are faded, and there are signs of more extensive restoration. Existing folds are more visible, and possibly minor paper loss.
We further use '+' or '-' to more precisely describe the condition of a particular item (e.g.: B+). On top of this, we describe any “condition particularities” for individual pieces on its product page.
We apply the above condition rating system to all our posters and prints. If you have additional questions regarding our piece’s condition, we invite you to submit any inquiries.
Ask A Question:
Please fill out the short contact form below and we'll get back to you as soon as we can.
Search Rue Marcellin
Les Maitres de L'Affiche - 1900 Planche # 219 - 2e Exposition des Peintres Lithographes
About the poster:
Gottlob created very few posters in his career and this is one of the few advertising a poster exhibition, in which he was one of the participants. It's "a most interesting design, featuring a woman going through a display cradle of prints. The shadows on the front of her dress and the use of bright yellow in the background create the effect of backlighting and give the scene an air of intimacy it would otherwise lack" (Wine Spectator, 108).
About Les Maitres de L'Affiche:
Maîtres de l'Affiche (Masters of the Poster) refers to 256 color lithographic plates used to create an art publication during the Belle Époque in Paris, France. The collection, reproduced from the original works of ninety-seven artists in a smaller 11 x 15 inch format, was put together by Jules Chéret, the father of poster art. The varied selection of prints were sold in packages of four and delivered monthly to subscribers. On sixteen occasions during the selling period between December 1895 through November 1900, the monthly package included a bonus of a specially created lithograph.
About the artist:
Fernand-Louis Gottlob (1873-1935) was a French graphic artist whose caricatures appeared in many humorous magazines. He worked as a lithographer and a painter. He created portraits, illustrations for books and caricatures that appeared in popular magazines in Paris including Le Rire, Le Journal Amusement and Sourire. His work began to be shown in the official salons in 1891. In addition to portraits he painted cityscapes of Paris and landscapes of Normandy and Brittany.
Particulars: Each original Maîtres de l'Affiche lithograph has an embossed stamp in the bottom right corner and was printed on thick paper
It has been professionally conserved by going through a de-acidification and cleaning bath (see poster and print conservation and restoration)
Free Worldwide Delivery