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Conditions Explained:
It is important to remember that you are buying an original vintage fine art poster an not a reproduction of any kind. We do not use terms like “mint” or “near mint” condition, as they are highly subjective. Each of our pieces is photographed in high quality so you can zoom in and view the poster in greater detail. In addition we use the following IVPDA (International Vintage Poster Dealers Association) approved condition rating system:
"A" Condition: the poster is in fine condition. The colours are fresh and there is no paper loss. If there is a slight tear, or folds, it is very unobtrusive.
"B" Condition: the poster is in good condition. The colours are acceptable. While slight paper loss maybe evident, it does not distract from the image. Restoration, if any, is not immediately apparent.
"C" Condition: the poster is in fair condition. Colours are faded, and there are signs of more extensive restoration. Existing folds are more visible, and possibly minor paper loss.
We further use '+' or '-' to more precisely describe the condition of a particular item (e.g.: B+). On top of this, we describe any “condition particularities” for individual pieces on its product page.
We apply the above condition rating system to all our posters and prints. If you have additional questions regarding our piece’s condition, we invite you to submit any inquiries.
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This 1950s Original Print is professionally framed in a black wooden frame with an orange passe-partout.
During her long career as fashion illustrator, Brunetta Moretti Mateldi collaborated with famous Italian publications such as “Il Corriere della Sera”, “L’Espresso”, “La Gazzetta del Popolo”, “Scena Illustrata”, and “Il Dramma”. She was also the first graphic designer to work for the legendary New York magazine “Harper’s Bazaar”. Her unmistakable, eclectic, sharp and ironic style focused on her drawings of hats – won her much praise, including the nomination among the “Eighteen of the world’s most powerful women” by the “Sunday Mirror” in 1962, and the Ambrogino d’Oro awarded to her by the Milan Municipality in 1950. Her drawings, drafts and sketches have been the center of many exhibitions. She also designed advertising prints such as this one for Martini & Rossi.
Particulars: This print is from an original vintage magazine and has been professionally framed in a black wooden frame with an orange passe-partout. It has been professionally conserved and backed on acid-free linen paper. Find out more about what this means and why it's important: poster and print conservation and restoration.
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