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Conditions Explained:
It is important to remember that you are buying an original vintage fine art poster an not a reproduction of any kind. We do not use terms like “mint” or “near mint” condition, as they are highly subjective. Each of our pieces is photographed in high quality so you can zoom in and view the poster in greater detail. In addition we use the following IVPDA (International Vintage Poster Dealers Association) approved condition rating system:
"A" Condition: the poster is in fine condition. The colours are fresh and there is no paper loss. If there is a slight tear, or folds, it is very unobtrusive.
"B" Condition: the poster is in good condition. The colours are acceptable. While slight paper loss maybe evident, it does not distract from the image. Restoration, if any, is not immediately apparent.
"C" Condition: the poster is in fair condition. Colours are faded, and there are signs of more extensive restoration. Existing folds are more visible, and possibly minor paper loss.
We further use '+' or '-' to more precisely describe the condition of a particular item (e.g.: B+). On top of this, we describe any “condition particularities” for individual pieces on its product page.
We apply the above condition rating system to all our posters and prints. If you have additional questions regarding our piece’s condition, we invite you to submit any inquiries.
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This print is from Etienne Muller's graphic design book, Lettres et Ensignes. Premiere Serie: Art Nouveau. Mulier, who was a painter, decorator and Professor of Decorative Composition, produced a number of pattern books on letter fonts, decorative painting, marbling and graining, and design based on plant forms. The book contained 18 illustrations of the alphabet, 10 illustrations of signs, with accompanying descriptions advising their use - the Cuneiforme letters would suit a tobacconist or bar, while the alphabet formed on the ibis would suit a shop selling feathers and duvets.
Particulars: This lithographic print has been It has been professionally conserved and backed on acid-free linen paper (see poster and print conservation and restoration)
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