It is important to remember that you are buying an original vintage fine art poster an not a reproduction of any kind. We do not use terms like “mint” or “near mint” condition, as they are highly subjective. Each of our pieces is photographed in high quality so you can zoom in and view the poster in greater detail. In addition we use the following IVPDA (International Vintage Poster Dealers Association) approved condition rating system:
"A" Condition: the poster is in fine condition. The colours are fresh and there is no paper loss. If there is a slight tear, or folds, it is very unobtrusive.
"B" Condition: the poster is in good condition. The colours are acceptable. While slight paper loss maybe evident, it does not distract from the image. Restoration, if any, is not immediately apparent.
"C" Condition: the poster is in fair condition. Colours are faded, and there are signs of more extensive restoration. Existing folds are more visible, and possibly minor paper loss.
We further use '+' or '-' to more precisely describe the condition of a particular item (e.g.: B+). On top of this, we describe any “condition particularities” for individual pieces on its product page.
We apply the above condition rating system to all our posters and prints. If you have additional questions regarding our piece’s condition, we invite you to submit any inquiries.
Please fill out the short contact form below and we'll get back to you as soon as we can.
Founded in 1863, La Vie Parisienne was originally designed to appeal to the upper-classes, offering literary pieces, society gossip and articles about the arts. It also featured the work of immensely talented artists like Georges Barbier, Gerda Wegener, Chéri Hérouard, Georges Léonnec, Maurice Milliere. The artwork was considered risqué, even erotic (think early porn for the intellectual). René Vincent did some great illustrations for La Vie Parisienne. Just take a look at this beauty.
René Vincent (1879–1936) was a French illustrator who worked in an Art Deco style and became famous for his poster designs. He created advertisements for Bugatti, Peugeot, Michelin, and Shell Oil Company. His most recognizable work is the 1925 Porto Ramos Pinto poster. He was also known for his fashion illustrations and contributed heavily to La Vie Parisienne and Fantasio. Occasionally he went by the pseudonym Rageot.
Particulars: This lithographic print is from an original vintage magazine
It has been professionally conserved and backed on acid-free linen paper
(poster and print conservation and restoration)